"Lazarus Man" book review, for The Washington Post
"Lazarus Man" book review, for The Washington Post
"We're Still Living in a Fight Club World", for the Atlantic
"We're Still Living in a Fight Club World", for the Atlantic
"The Lies Los Angeles Was Built Upon", for the Atlantic
"The Lies Los Angeles Was Built Upon", for the Atlantic
"Crazy Horse", for Switchyard
"Crazy Horse", for Switchyard
"Crazy Horse", for Switchyard
"Crazy Horse", for Switchyard
"Crazy Horse", for Switchyard
"Crazy Horse", for Switchyard
"Crazy Horse", for Switchyard
"Crazy Horse", for Switchyard
"Civil War" Movie Review, for The New Yorker
"Civil War" Movie Review, for The New Yorker
"At 88, Poker Legend Doyle Brunson Is Still Bluffing. Or Is He?", for Texas Monthly
"At 88, Poker Legend Doyle Brunson Is Still Bluffing. Or Is He?", for Texas Monthly
"Puppet Makers Rise Up Against the Puppet Masters", for The Hollywood Reporter
"Puppet Makers Rise Up Against the Puppet Masters", for The Hollywood Reporter
"The Shadow Over H.P. Lovecraft", for The New Republic
"The Shadow Over H.P. Lovecraft", for The New Republic
"NASA’s widespread influence on everyday design", for Medium.com
"NASA’s widespread influence on everyday design", for Medium.com
"NASA’s widespread influence on everyday design", for Medium.com
"NASA’s widespread influence on everyday design", for Medium.com
"The Upswing", Cover illustration for The New Republic
"The Upswing", Cover illustration for The New Republic
"The Mysterious Lawyer X", for California Sunday Magazine
"The Mysterious Lawyer X", for California Sunday Magazine
"The Bard", for The Atavist Magazine
"The Bard", for The Atavist Magazine
"Bad Information", for The Intercept
"Bad Information", for The Intercept
"A Boundless Battlefield", for The Intercept
"A Boundless Battlefield", for The Intercept
"Moral Lessons From the Crucible of the Sea”, for the New York Times
"Moral Lessons From the Crucible of the Sea”, for the New York Times
"The Hustlers at Scores", for New York Magazine
"The Hustlers at Scores", for New York Magazine
"Gambling Addiction", The Atlantic
"Gambling Addiction", The Atlantic
"The Disappeared", California Sunday Magazine
"The Disappeared", California Sunday Magazine
"Bank of the Underground", The Atlantic
"Bank of the Underground", The Atlantic
"OUTBREAK", Westwind Magazine
"OUTBREAK", Westwind Magazine

Cover illustration about Gillian Seton, a US doctor in Liberia fighting Ebola with little help.  For Westwind.

"Through the Cracks"
"Through the Cracks"
"The History of Comedy", for Backstage Magazine
"The History of Comedy", for Backstage Magazine
"Developing Your Personal Brand", for Backstage Magazine
"Developing Your Personal Brand", for Backstage Magazine
"The Two Positions of Comedy", Backstage
"The Two Positions of Comedy", Backstage
"The Battle of Imphal", National Geographic Traveler
"The Battle of Imphal", National Geographic Traveler
"Horror Vacui", Backstage
"Horror Vacui", Backstage
"Return to San Pietro", the New Republic
"Return to San Pietro", the New Republic
"Women, Fire, and the Sea", Playboy
"Women, Fire, and the Sea", Playboy
"Lazarus Man" book review, for The Washington Post
"We're Still Living in a Fight Club World", for the Atlantic
"The Lies Los Angeles Was Built Upon", for the Atlantic
"Crazy Horse", for Switchyard
"Crazy Horse", for Switchyard
"Crazy Horse", for Switchyard
"Crazy Horse", for Switchyard
"Civil War" Movie Review, for The New Yorker
"At 88, Poker Legend Doyle Brunson Is Still Bluffing. Or Is He?", for Texas Monthly
"Puppet Makers Rise Up Against the Puppet Masters", for The Hollywood Reporter
"The Shadow Over H.P. Lovecraft", for The New Republic
"NASA’s widespread influence on everyday design", for Medium.com
"NASA’s widespread influence on everyday design", for Medium.com
"The Upswing", Cover illustration for The New Republic
"The Mysterious Lawyer X", for California Sunday Magazine
"The Bard", for The Atavist Magazine
"Bad Information", for The Intercept
"A Boundless Battlefield", for The Intercept
"Moral Lessons From the Crucible of the Sea”, for the New York Times
"The Hustlers at Scores", for New York Magazine
"Gambling Addiction", The Atlantic
"The Disappeared", California Sunday Magazine
"Bank of the Underground", The Atlantic
"OUTBREAK", Westwind Magazine
"Through the Cracks"
"The History of Comedy", for Backstage Magazine
"Developing Your Personal Brand", for Backstage Magazine
"The Two Positions of Comedy", Backstage
"The Battle of Imphal", National Geographic Traveler
"Horror Vacui", Backstage
"Return to San Pietro", the New Republic
"Women, Fire, and the Sea", Playboy
"Lazarus Man" book review, for The Washington Post
"We're Still Living in a Fight Club World", for the Atlantic
"The Lies Los Angeles Was Built Upon", for the Atlantic
"Crazy Horse", for Switchyard
"Crazy Horse", for Switchyard
"Crazy Horse", for Switchyard
"Crazy Horse", for Switchyard
"Civil War" Movie Review, for The New Yorker
"At 88, Poker Legend Doyle Brunson Is Still Bluffing. Or Is He?", for Texas Monthly
"Puppet Makers Rise Up Against the Puppet Masters", for The Hollywood Reporter
"The Shadow Over H.P. Lovecraft", for The New Republic
"NASA’s widespread influence on everyday design", for Medium.com
"NASA’s widespread influence on everyday design", for Medium.com
"The Upswing", Cover illustration for The New Republic
"The Mysterious Lawyer X", for California Sunday Magazine
"The Bard", for The Atavist Magazine
"Bad Information", for The Intercept
"A Boundless Battlefield", for The Intercept
"Moral Lessons From the Crucible of the Sea”, for the New York Times
"The Hustlers at Scores", for New York Magazine
"Gambling Addiction", The Atlantic
"The Disappeared", California Sunday Magazine
"Bank of the Underground", The Atlantic
"OUTBREAK", Westwind Magazine

Cover illustration about Gillian Seton, a US doctor in Liberia fighting Ebola with little help.  For Westwind.

"Through the Cracks"
"The History of Comedy", for Backstage Magazine
"Developing Your Personal Brand", for Backstage Magazine
"The Two Positions of Comedy", Backstage
"The Battle of Imphal", National Geographic Traveler
"Horror Vacui", Backstage
"Return to San Pietro", the New Republic
"Women, Fire, and the Sea", Playboy
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